Hello, Aetix again, Goth had to start somewhere that a band with an artrock name- Bauhaus became its progenitors was perhaps a fluke, their remarkable debut single was an hommage to the Hollywood king of the undead..Bela Lugosi, 9 minutes of creepy horror on vinyl set them on a path they probaly never intended in a sense Bla Lugasi haunted them throughout their existance.
xxxxx xxxxx xxxxx xxxxx xxxxx
Bauhaus formed in 1978 in Northampton, England. Guitarist/vocalist Daniel Ash, bassist/vocalist David J (born David Jay Haskins), and drummer Kevin Haskins had played together as a trio called the Craze before forming Bauhaus with vocalist Peter Murphy. Originally, the band was called Bauhaus 1919 after the German art movement; by 1979, they had dropped the 1919 from their name.
In August of 1979, the group released their debut single, "Bela Lugosi's Dead," on the independent record label Small Wonder Records. Although it did not make the pop charts, it became the de facto goth rock anthem, staying in the U.K. independent charts for years. Three months later, the group signed with Beggars Banquet's subsidiary label, 4AD. The group's second single, "Dark Entries," was released in January 1980. Following their first European tour, Bauhaus released their third single, "Terror Couple Kill Colonel," in the summer of that year, which became a hit on the indie charts.
After touring America for the first time in September, the group released a version of T. Rex's "Telegram Sam." In October, they released their debut album, In the Flat Field, which reached number one on the independent charts In October 81.
Few debut albums ever arrived so nearly perfectly formed; that In the Flat Field practically single-handedly invented what remains for many as the stereotype of goth music -- wracked, at times spindly vocals about despair and desolation of many kinds, sung over mysterious and moody music -- demonstrates the sui generis power of both the band and its work. This said, perhaps the best thing about the album isn't what it's supposed to sound like, but what it actually does -- an awesomely powerful, glam-inspired rock band firing on all fours, capable of restraint and complete overdrive both, fronted by a charismatic, storming frontman. In the Flat Field propelled Bauhaus' career with a near-perfect bang.
They released their second album, Mask, which revealed a more ambitious musical direction; the new direction, which featured elements of metal and electronic sonic textures, made the music more accessible without abandoning the dark, foreboding core of their music. Mask was a commercial success. Fall 82, the group had a hit with their version of David Bowie's "Ziggy Stardust." The success of the single propelled their third album, The Sky's Gone Out on the album charts.
Murphy contracted pneumonia at the beginning of 1983, which prevented him from participating in the recording sessions for Bauhaus' fourth album, Burning From the Inside. Consequently, the record featured substantial contributions from Ash and J, who both pursued more personal and atmospheric directions. After Murphy recovered, the band toured Japan and then returned to the U.K. to promote the summer release of Burning From the Inside. The album was another hit, yet in July, Bauhaus split up.
After Bauhaus' breakup, Murphy formed Dali's Car with Japan's Mick Karn and then pursued a solo career. Ash continued with Tones on Tail, a project he began in 1981; Kevin Haskins also joined the band after Bauhaus' split. J made some solo records and joined the Jazz Butcher briefly. Ash, Haskins, and J formed Love and Rockets in 1985 after a proposed Bauhaus reunion fell apart because Peter Murphy wasn't interested in the project. More than a decade later, however, with the careers of both Love and Rockets and Peter Murphy at a standstill, Bauhaus re-formed for several live dates in Los Angeles, mounting a full-blown tour in 1998; the two-disc Gotham documented the reunited group's performance at New York's Hammerstein Ballroom.
Bauhaus reunited again in 2005, they embarked on a full tour beginning in North America and Mexico in the Autumn of 2005 and ending in Europe in February 2006. In May 2006 the band toured with Nine Inch Nails on the summer leg of their tour. ?Go Away White? was recorded in 18 days at Zircon Skye in Ojai, with singer Peter Murphy, bassist David J, guitarist Daniel Ash, and drummer Kevin Haskins playing together as a band in one room, taking first takes as final cuts. So, a new record but apparently a final one, the band having decided to release it as a posthumous swan song....no news since.
xxxxx xxxxx xxxxx xxxxx xxxxx
On Mask the members of Bauhaus consciously stretched themselves into newer areas of music and performance, resulting in an album that was arguably even better than the band's almost flawless debut. More familiar sides of the band were apparent from the get-go; opening number "Hair of the Dog," one of the band's best songs, starts with a double-tracked squalling guitar solo before turning into a stomping, surging flow, carefully paced by sudden silences and equally sudden returns to the music, while Murphy details cases of mental addictions in pithy phrases. The energy wasn't all just explosive angst and despair, though; the one-two punches of "Kick in the Eye" and "In Fear of Fear" have as much hip-shaking groove and upbeat swing to them as portentous gloom. Elsewhere, numerous flashes of the band's quirky sense of humor make an appearance; perhaps most amusing is the dry spoken-word lyric beginning "Of Lillies and Remains," as David J details a goofily grotesque situation as much Edward Gorey as Edgar Allen Poe. Add to that three of the most dramatic things the band ever recorded -- the charging, keyboard-accompanied "The Passion of Lovers," the slow, dark fairy-tale-gone-wrong "Hollow Hills," and the wracked, trudging title track, and the end result was a perfect trouncing of the sophomore-slump myth.
( flac 357mb)
01 Hair Of The Dog 2:43
02 The Passion Of Lovers 3:53
03 Of Lillies And Remains 3:18
04 Hollow Hills 2:29
05 Dancing 4:47
06 Kick In The Eye 2 3:39
07 In Fear Of Fear 2:58
08 Muscle In Plastic 2:51
09 The Man With The X-Ray Eyes 3:05
10 Mask 4:36
11 In Fear Of Dub 2:55
12 Ear Wax 3:15
13 Harry 2:47
14 1. David Jay 2. Peter Murphy 3.Kevin Haskins 4. Daniel Ash 6:37
15 Satori 4:36
Bauhaus ? Mask ( ogg 131mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
More fragmented in origin than it might appear on first glance. The Sky's Gone Out was caught between the expectations of an audience now thoroughly embracing the incipient goth genre, with all the built-in limitations such expectations often provide, and a band which wanted to please them while still following its own muse. On balance it's quite a fine album, but unlike Mask it misses the infusion of a more positive energy, and simply doesn't gel as perfectly, more notable for individual songs than as a whole., ultimately making The Sky's Gone Out feel more like a compilation than anything else. Piece by piece, though, the songs still often showed Bauhaus in excelsis. Ash's elegant, haunting acoustic guitar work received two great showcases -- "Silent Hedges," adding a more familiar electric explosion to a fine Murphy performance detailing a desperate mental collapse, and "All We Ever Wanted Was Everything," a sympathetic, nostalgic reflection on dreams of the past, again matched by a perfectly balanced Murphy vocal. Other standouts include the brooding lope of "Swing the Heartache," with a skeletal rhythm matched against some of Ash's best guitar work, and "Spirit," a live standout inspired by the performance vibe the band received from its fans.
( flac 376mb)
01 Third Uncle 5:17
02 Silent Hedges 3:11
03 In The Night 3:07
04 Swing The Heartache 5:52
05 Spirit 5:29
06 The Three Shadows Part 1 4:23
07 The Three Shadows Part 2 3:10
08 The Three Shadows Part 3 1:36
09 All We Ever Wanted Was Everything
3:51
10 Exquisite Corpse 5:39
11 Ziggy Stardust 3:13
12 Party Of The First Part 5:26
13 Spirit 3:45
14 Watch That Grandad Go 5:40
Bauhaus - The Sky's Gone Out ( ogg 142mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
Whether it was the immediacy of recording or some other unexplainable element, Bauhaus always thrived when doing British radio appearances, with no less than five of the 18 tracks collected here seeing official release by the band on singles or albums during its first lifetime. That one of these was Bauhaus' biggest-ever British hit, the completely and perfectly over-the-top rendition of Bowie's "Ziggy Stardust," is further testimony to the band's success at the Beeb. The five show appearances here, including both John Peel sessions and guest spots with other DJs, make for an excellent sampling of the band in many different guises, from obscure rarities to redone versions of some of Bauhaus' most successful songs. The first six tracks cover In the Flat Field-era material, including a slightly more laid-back version of T. Rex's "Telegram Sam" and an energetic thrash through "A God in an Alcove," as well as the powerful take of "Double Dare" which was used to begin Field. The midsection covers a lot of ground, from the familiar takes on "Ziggy" and Eno's "Third Uncle" used on singles and albums to the quirky, film-dialogue-sampling drama of "Party of the First Part," not to mention an otherwise unavailable song, the funky, percussion-heavy "Poison Pen," never successfully recorded by the band elsewhere. Another rarity pops up among the final tracks -- of all things, the Strangeloves' legendary Nuggets-compiled garage-rocker "Night Time," given a great bouncy reading here. Add to that some sharp takes on the lengthy title track and "She's in Parties," not to mention a version of "The Three Shadows Pt. 2" that's notably more successful than the recording on The Sky's Gone Out, and Swing is an unparalleled success, a collection that will interest and satisfy newcomers as much as longtime band fanatics.
(flac 452mb)
01 A God In An Alcove 4:08
02 Telegram Sam 2:25
03 Double Dare 4:54
04 The Spy In The Cab 4:08
05 In The Flat Field 2:46
06 St. Vitus Dance 2:27
07 In Fear Of Fear 2:46
08 Poison Pen 3:10
09 Party Of The First Part 5:25
10 Departure 4:54
11 The Three Shadows (Part 2) 2:57
12 Silent Hedges 3:07
13 Swing The Heartache 5:13
14 Third Uncle 5:16
15 Ziggy Stardust 3:12
16 Terror Couple Kill Colonel 3:37
17 Night Time 3:11
18 She's In Parties 3:41
Bauhaus - Swing The Heartache (The BBC Sessions) (ogg 170mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
elsewhere earlier
Bauhaus - In The Flat Field Extended (80 ^ 96mb)
Bauhaus - In The Flat Field Extended 2 (80 ^ 87mb)
Bauhaus - Burning From The Inside (80 ^ 96mb)
xxxxx xxxxx xxxxx xxxxx xxxxx
Red with purple flashes. That is how guitarist Eddie Phillips has described the Creation's music. The Creation are my latest 60s favorite number two. This band came from the UK and was founded in 1966. The Creation were a short-lived band but achieved quite a lot during their short period of existing as a band. These achievements were not chart-topping hits but insteadmany excellent mod, garage and psychedelic 
rock songs that are still living pieces ofsome of the most energetic British music of the era.
